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Longwood
Alumna Monitors Relics of Naval History
Kent Booty, Associate Editor

Jeanne Willoz-Egnor '86, is the collections
manager of the Mariners' Museum in Newport News |
Naval warfare
was changed forever in 1862 when the USS Monitor, one of the world's first
ironclad warships, dueled with the CSS Virginia in a Civil War battle in
Hampton Roads. Less than a year later, while being towed south for blockade
duty, the Monitor sank in a storm off the North Carolina coast, killing
16 of her crew.
The wreck was
discovered in 1973 lying upside down in
240 feet of water with the crumbling hull resting on the displaced gun
turret, also upside down, which triggered a race-against-the-clock effort
to recover and preserve pieces from what one historian calls a "time capsule
of the mid-19th century."
The project,
coordinated by the National Oceanic and Atmospheric Administration (NOAA),
has involved divers from the U.S. Navy and NOAA, welders and riggers at
Newport News Shipbuilding, conservation experts at the Mariners' Museum,
and other experts. In the midst of it all is a Longwood alumna who literally
has her hands on something that has captured the imagination of Civil
War buffs, students of naval warfare, archaeologists, and journalists
and documentary filmmakers from around the
world.
Jeanne Willoz-Egnor
('86) is the collections manager of the Mariners' Museum, in Newport News,
which is the official repository of artifacts recovered from the Monitor.
Thus, each of those 600 items including the engine, propeller and
shaft, anchor and, most recently, the trademark turret has passed
through her hands. Even though the objects reek of nearly 140 years spent
on the bottom of the Atlantic Ocean when they first reach her, she doesn't
mind.
"They have
all smelled terrible and have been covered with all sorts of marine growth
clam shells, oyster shells, starfish, sponges, corals, crabs; sometimes
the crabs have lived for a couple of days in the conservation tanks,"
says Jeanne (pronounced Zhahn). "At the end of the day, you smell like
dead fish. But I wouldn't trade it for the world."
Willoz-Egnor,
who has worked at the Museum since 1994, oversees a staff of four. "My
position combines the functions of registrar and collections manager.
I'm responsible for all of the objects as they move through the Museum.
I coordinate the accessioning, cataloging, research, storage, documentation
and conservation of each piece. As interim head of the Collections Committee,
I help evaluate objects offered for donation, for loan, and for purchase,
which is a group decision. I'm just the coordinator."
One of the
largest maritime museums in the world, the Mariners' Museum, set amid
550 wooded acres with a lake, is dedicated to "preserving and interpreting
the culture of the sea and its tributaries, its conquest by man, and its
influence on civilizations." Among its collection are Mark Twain's original
(1859) steamboat pilot's license, the world's oldest gondola (circa 1850),
a Japanese sub from World War II, and
one of the few life jackets from the Titanic.
"When we were
designated as the repository for the Monitor (in 1987, on the 125th anniversary
of the battle of the ironclads), previously recovered items were transferred
here," she says. "At first we had a small collection of artifacts from
the wreck, including the anchor, the lantern, a few bottles, and a lot
of wood and iron samples. The larger recoveries didn't start happening
until the Navy got involved. The Navy has a vested interest in recovery
efforts because for them the Monitor represents the birth of the modern
navy. It's definitely a team effort among the Museum, the Navy and NOAA,
and for us it's an all-hands-on-deck project. The Monitor project has
been very challenging because of its size and complexity. There's no model
to go on; we're charting new ground in the conservation and preservation
of an extremely fragile object that has essentially become a huge mass
of concreted iron. In
many respects it's a conservation nightmare."

The Monitor's propeller is transported to its new home
as Curtiss Peterson, the Mariners' Museum chief conservator, removes
the propeller shaft from the hub. |
Signs of the
Museum's association with the Monitor are everywhere. A glass case near
the entrance displays newly retrieved items. An exhibit area nearby is
home to the anchor, the first major item that was recovered; the navigation
lantern, the last thing seen as the vessel went down; and a slightly smaller-scale
version of the turret, with a full-scale replica of one of the two guns
protruding from a port. Shelves and tables in storage rooms hold smaller
objects. And behind the Museum, in about 10 tanks containing a total of
283,000 gallons of water and chemicals, are the turret, the engine, the
propeller and shaft, and a host of large concreted, rust-colored parts
the reversing wheel, engine room floor plate, piping, railings,
ladder rungs, flanges, valves.
One afternoon
in May, Willoz-Egnor took a visitor to that area, open to the public and
known officially as the Monitor Conservation Area. Several of the tanks
are shiny blue dumpsters donated by BFI, and the Museum has bought or
made others with the help of Newport News Shipbuilding. A half-dozen panels
explain the Monitor's historical significance, her recovery, and the conservation
process.
"Our vice
president for buildings and grounds calls this the 'Tank Farm,'" she said
with a laugh. "People undertaking large-scale conservation projects have
learned that the best tank you can find is a dumpster. The tanks contain
water and a solution of sodium hydroxide, which forestalls the continuing
degradation of the metal."
In the foreground
are two side-by-side tanks with various engine parts. A little farther
back is one with a portion of the 11-foot propeller shaft, a portion of
the bulkhead and the stuffing box (where the shaft goes through the hull).
The propeller lies in an adjacent tank. Two huge tanks near the back hold
the Monitor's most prized parts, recovered the past two summers in round-the-clock
diving from a barge directly over the wreck.
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