Spanish 341

Survey of Spanish Literature I: Medieval, Renaissance and Baroque

Sample Syllabus for General Education Goal 3

 

Professor:     Dr. Lee L’Hote                          Email:  llhote@longwood.edu

Office:                  T3-E                                       Phone #:  395-2797

 

Office hrs:     MWF 10:00-11 a.m., T & R 2:00-3:00 p.m. and by appointment.

 

Home Page:    http://www.longwood.edu/staff/llhote/homepage/page1.htm

 

 

COURSE DESCRIPTION: A study of representative works and literary movements in Spanish (Peninsular) literature from the Middle Ages through the Baroque era.  Students will learn to use the methods and language of literary analysis.  Prerequisite: Spanish 202 or equivalent.  Spanish 320 recommended.  3 credits.

 

TEXTS:       (Texts currently used; list may be modified in the future.)

 

Mujica, B.  Texto y vida: Introducción a la literatura española.  Orlando:

                           Holt, Rinehart, and Winston, 1990.

                  Anonymous.  La vida de Lazarillo de Tormes.  Madrid: Castalia, 1982.

                  A good Spanish-English Dictionary           

Additional Readings found online.

Please Note:  Students may want to purchase copies of the two final plays

Fuenteovejuna and El burlador de Sevilla at Amazon.com or another

vendor rather then print them out. 

 

COURSE OBJECTIVES:  Upon successful completion of the course, students will:

 

1.     Demonstrate the ability to read, understand and analyze literary texts from a variety of critical perspectives—language, structure, etc.—as seen in class discussions, oral presentations, and assigned papers. (Gen Ed. Criteria 1, 2, 4, 5, 6, 7.  Outcomes 1-3)

2.     Demonstrate the ability to use literary terms in textual criticism. (GE: 1,2. Out. 3)

3.     Interpret meaning in literary texts; construct and appreciate alternative meanings. (GE: 3, 8, 9.  Outcome 1)

4.     Demonstrate the ability to identify selected major Spanish authors, literary forms, and important literary movements of the twelfth through the seventeenth centuries. (GE: 5, 9. Outcomes 1-2)

5.     Demonstrate a general understanding of the historical context and value systems behind studied texts and be able to compare these understandings to contemporary values and culture. (3, 5, 8.  Outcome 1-2)

 

Honor Code: Students are expected to live by the Longwood University Honor Code.  All work done in this class must be pledged.  All work done for this class must be pledged:  “Yo, __________, juro que no he dado ni he recibido ayuda en este trabajo, ni he notado ninguna infracción del Código de Honor.”

 

COURSE REQUIREMENTS:                                           GRADING:

 

25%    Participation/Preparation                                          90-100          A

30%    Essays (3)                                                           80-89           B

10%    Dramatic Reading                                                   70-79           C

15%    Midterm                                                             60-69           D

20%    Final Exam                                                           below 60       F

 

Participation and Preparation: Your successful completion of this course depends largely on your consistent and concentrated preparation for—and active participation during—class. Students should expect to spend at least 6 to 9 hours a week reading/studying etc. outside of class. Students will find that if they do not keep up with assigned readings, they will fall behind quickly and their grades will suffer.  All assignments—both written and assigned reading—should be completed before class time. Please feel free to consult me if you are having problems.   If I suspect that students regularly come to class without completing the assigned readings, I may give pop quizzes as part of the preparation grade.

 

Attendance: Faithful attendance is of utmost importance in this course, as is your effort to contribute to class discussions and activities. The attendance policy for this course is the same as the University policy in the Longwood University Catalogue.  If a student misses 10% (3) of classes because of unexcused absences, his/her final course grade may be lowered one letter grade.  If a student misses 25% (7) of scheduled meeting times, for excused or unexcused reasons, s/he will receive an F in this course.   You are expected to arrive on time to class.  Only students who miss class with a documented excused reason (See Longwood University Catalogue—Class attendance) will be allowed to make up work.

 

Essays:  During the semester students will write three short essays of 3 (full) to 4 pages each in length.    All essays are due at the beginning of class on their assigned dates.  They must follow MLA style guidelines, be written in Spanish, typed—with proper accentuation—and double-spaced.  They must use a 12-point font and 1 inch margins on all sides.  Late essays will only be accepted if the student discusses the conflict with me ahead of time.  Late essays will be penalized 10% for each class period late.

 

Dramatic Reading:  Over one third of the course will be devoted to the study of drama.  Since theatre primarily is intended to be performed and viewed, students will participate actively in the dramatic process.  In groups of two or three, students will act out a scene from one of the three plays we will be reading during the semester.  Students will need to research the historical context of the work and apply Golden-Age staging techniques learned in class in order to guide their performance.  The scene should last 7 to 10 minutes and may include props and costumes.  The group may choose to record their performance with a video camera and present the recording instead.

 

Bibliography:  For further study, see recommended texts listed under Crítica in Mújica’s Texto y Vida.

 


Essay Assignments

 

Ensayo I:  Una fábula creativa.

 

         Begin by thinking about the fables you read as a child and how they compare to the ejemplos that you read in El libro del Conde Lucanor.  What didactic messages did they contain?  How did the authors convey those messages?  In this composition, you are to use El Conde Lucanor as a model to write your own fable.  You can create a modern story or retell a classic fairy tale, but you must follow the structural model of the ejemplos studied in class.

 

            LAS REGLAS:  a)  3-4 pages in length.  b)  MLA style.  c) you must use Spell/Grammar check in Spanish, available in the language lab.  d)  se debe entregarlo al principio de la clase del 19 de septiembre.

 

 

Ensayo II:  Analysis of a Golden-Age Poem.

 

         For this essay, you are to analyze a poem by Garcilaso, San Juan de la Cruz, Lope, Quevedo, or Góngora that we did not discuss in class.  You should use the Meaning/Context Flowchart as well as the Spanish Prosody handout to guide your paper.

We will look at a few essay examples in class as well.

 

            LAS REGLAS:  a)  3-4 pages in length.  b)  MLA style.  c) you must use Spell/Grammar check in Spanish, available in the language lab.  d)  se debe entregarlo al principio de la clase del 11 de octubre. 

 

 

Ensayo III:  A comparative study of criticism. 

 

The main focus of this essay will not be upon a primary text that we have studied in class, but rather the scholarly research out there on a particular work that you have read during the semester.   First, you will need to choose a particular aspect from one of the works we have read this semester, such as the theme of hunger in Lazarillo de Tormes, or conceptismo in the poetry of Quevedo.  You will then need to search the MLA Bibliography for articles and/or books that treat that subject.  If you are unsure of the particular focus of your essay, you may want to investigate the criticism on the work first.  Next you will need to choose three particular critical sources that you find interesting and study them carefully. 

 

        Your paper will consist of two parts:  1) Compare and contrast how the three studies approach the topic.  Do they agree or disagree?  Do they look at the same aspects?  Is one study aware (quotes) the other studies?  2) Which study do you find most convincing/least convincing?  Are there aspects from the primary texts that you can use to support your position?

 

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