Instructor: Dr. Charles Kinzer
Office: Wygal 223 (Studio 7)
Office Telephone: 395-2495
Office Hours: as posted
Class Meetings: Lessons TBA, Studio Class T 4:30-5:20 p.m., Wygal
104
Course Description: Private study of the clarinet; one 50
minute or two 25 minute lesson(s) each week with related studio classes
and performances. 2 credits.
Textbooks:
Required:
Pares Scales for the Clarinet, by Gabriel Pares (Rubank)
Selected Studies, edited by H. Voxman (Rubank)
40 Studies for Clarinet, by Cyrille Rose, ed. by D. McCathren
(Belwin)
Concert and Contest Collection, by H. Voxman (HLP)
Other texts and solo pieces
to be selected in consultaion with instructor.
Course Objectives: Upon completion of courses in Applied Clarinet, students will:
1. be able to perform concert repertoire at an appropriate
university level of execution;
2. demonstrate knowledge of the repertoire of solo music for
the instrument - specific
repertoire assigned depends on the performance level of the
student;
3. be familiar with requirements commonly made of professional
performers on the instrument.
Typical Class Schedule:
Weeks 1-4 general techniques,
exercises
5-8 etudes and solo pieces assigned weekly
9-11 survey of repertoire
12 selection of jury program
12-13 jury material
14 JURY EXAM on reading day
Course Requirements and Grading: Grades are based upon the student’s
effort and performance in lessons and studio classes throughout the semester
(50%), combined with evaluation of the jury performance (50%). Students
must perform at least THREE times at studio class and ONCE on a departmental
recital. The student must pass the Jury in order to pass each course.
The Jury program must consist of sample technique exercises and two repertory
pieces. The Sophomore level includes a special Promotional Jury at
the end of the second semester - this jury program must consist of three
repertory pieces. The following are minimum requirements for completion
of the yearly levels (2 semesters per year) of the Music Education program:
FRESHMAN LEVEL:
Major scales and arpeggios
to six accidentals, over the standard range of the instrument, slurred
or tongued, in eighth notes at quarter = 132.
6 etudes from Voxman,
Selected
Studies, to be chosen in consultation with instructor.
3 repertory pieces,
to be chosen in consultation with instructor, of a difficulty level
corresponding to that of the Allegretto Fantasia by Sextus Miskow,
found in the
Concert and Contest Collection for Clarinet (Rubank).
SOPHOMORE LEVEL:
Major scales and arpeggios
to six accidentals, over the standard range of the instrument, slurred
or tongued, in eighth notes at quarter = 160.
8 etudes from Voxman,
Selected
Studies, to be chosen in consultation with instructor.
3 repertory pieces,
to be chosen in consultation with instructor, of a difficulty level
corresponding to that of the Adagio from the Concerto for Clarinet,
K. 622, by Mozart, found in the
Concert and Contest Collection for Clarinet (Rubank).
Must also pass Sophomore
Promotional Jury before full Music Faculty.
JUNIOR LEVEL:
Major scales and arpeggios
to seven accidentals, over the standard range of the instrument, slurred
or tongued, in sixteenth notes at quarter = 120.
8 etudes from Voxman,
Selected
Studies, or Rose, 40 Studies, to be chosen in consultation with
instructor.
4 repertory pieces,
to be chosen in consultation with instructor, of a difficulty level
corresponding to that of the Soireestucke, Op. 73, by Robert Schumann
(Faber), or the Five Pieces, by Gordon Jacob (Oxford UP).
SENIOR LEVEL:
Major scales and arpeggios
to seven accidentals, over the standard range of the instrument, slurred
or tongued, in sixteenth notes at quarter = 144.
6 etudes from Rose,
40
Studies, to be chosen in consultation with instructor.
4 repertory pieces,
to be chosen in consultation with instructor, of a difficulty level
corresponding to that of the Sonate by Paul Hindemith (Schott),
or the Sonate in E-flat Major, Op. 120/2, by Johannes Brahms (Schott).
Music Education students
present a half-recital performance in the first semester of the Senior
level.
Attendance Policy: The attendance policy for Applied Saxophone
is the same as that specified in the College Catalog and Student Handbook.
Missed lessons will be made up at the instructors’ discretion.
Honor Code: Students are expected to live by the Longwood Honor
Code.
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