Melanie Goss

14 December 2005

ENGL 380-50

Dr. Chris McGee

Children’s Lit Final Paper

 

 

Sexuality and Censorship in Children’s Literature

 

            Sex.  It’s one of the most controversial topics in our society today.  Its presence is felt in all corners of our culture: media, entertainment, education, politics, and family.  It is also seen in a rather unexpected, but not truly surprising, place: children’s literature.  A great deal of arguing has taken place over what is considered perverse and how much sexual content children should be exposed to.  These conflicts have led to the widespread challenging and censorship of several children’s books in libraries across the nation.

One such book that has faced much opposition is Maurice Sendak’s 1970 dream-weaving In the Night Kitchen, a picture book that follows young Mickey as he dreams of falling “through the dark, out of his clothes, past the moon and his mama and papa sleeping tight, [and] into the light of the night kitchen,” where he helps a group of bakers make a cake.  Mickey is shown completely unclothed in numerous illustrations, revealing all of his young body.  According to the Office for Intellectual Freedom, this book was challenged at least nineteen times, most notably in Champaign, Illinois (1988) for “gratuitous nudity” and in Elk River, Minnesota (1992) because viewing the book “could lay the foundation for future use of pornography” (52).  Many libraries took the book off their shelves, replacing it only after drawing underpants on the pages to cover Mickey’s genitals.  This shows that there was no problem with the content of the book except for the illustrations; remove the nakedness and the book is perfectly acceptable.

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Many books that tackle the issue of homosexuality are likely to be challenged.  One of the most famous of this sort is Michael Willhoite’s 1990 picture book Daddy’s Roommate.  Daddy’s Roommate tells the story of a young boy who learns what “gay” is when his father moves in with another man.  “Daddy and his roommate Frank live together, work together, eat together, sleep together, shave together, and sometimes even fight together, but they always make up,” says the young narrator.  “Mommy says Daddy and Frank are gay.  At first I didn’t know what that meant.  So she explained it.  Being gay is just one more kind of love.  And love is the best kind of happiness.”  It does not seem very surprising that such an outspoken progressive text would invoke a great amount of criticism.  It has been challenged at least 84 times, with the harshest complaints stating that the book is “vile, sick and goes against every law and constitution” (1993, Mesa, Arizona) and that it “promotes a dangerous and ungodly lifestyle from which children must be protected” (1992, NC, TX, OR) (60).

            Heather Has Two Mommies, a 1989 picture book by Leslea Newman, is another children’s book that has caused a remarkable amount of controversy for stating that homosexuality is acceptable and can be just as nurturing and beneficial for a child can a family with heterosexual parents.  The book is very straightforward, using the words “sperm,” “egg,” and “vagina” in describing the process of artificial insemination, by which method preschool-aged Heather is conceived.  In addition to presenting a lesbian couple and their daughter as a loving family (a rather radical statement even in today’s popular culture), Heather Has Two Mommies also examines many different forms of family; adoption, divorce, single parents, and homosexual male couples are also

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considered.  This book has been challenged at least 34 times, from the time of its publication to 1996, and has been banned from many libraries at well, notably in Massachusetts in 1994 because “the subject matter…is obscene and vulgar and the message is that homosexuality is okay” (36-37).

            Books with the purpose of explaining puberty, sex, and sexuality to children also come into the line of fire for censors and concerned parents.  Wardell Pomeroy’s 1991 books Boys and Sex and Girls and Sex are among those often challenged, along with Babette Cole’s Mommy Laid an Egg! Or, Where Do Babies Come From?, the many editions of Lynda and Area Madaras’ What’s Happening to My Body? and Our Bodies, Ourselves, Judy Blume’s Are You There, God?  It’s Me, Margaret, and Robie H. Harris’ comical but informative It’s Perfectly Normal: Changing Bodies, Growing Up, Sex, and Sexual Health.      

            In the case of It’s Perfectly Normal, much of the controversy has stemmed from the book’s use of very explicit illustrations, depicting cartoon renditions of naked bodies of all shapes, sizes, and conditions in many different situations and from several angles.  In addition, the book frankly addresses homosexuality, masturbation, abortion, contraception, and sexual urges.  Challenged in Utah, Pennsylvania, Missouri, North Dakota, and California, and banned in Washington, some of the complaints considered included that It’s Perfectly Normal was too racy, too explicit, concerned “family sensitive issues,” and was “an example of child pornography” (21).

            Phyllis Reynolds Naylor’s Alice series is another example of a set of books that have caught negative attention for frankly discussing sex and sexuality children.  The

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thirteen novel series follows Alice McKinley’s life from the summer before her sixth grade year to the autumn of ninth grade (though Naylor plans to continue writing books that follow Alice through her eighteenth year) as she faces her first period, her first boyfriend, her first encounter with lingerie, and many, many questions about sex, puberty, and growing up.  The Alice books tell children that it is okay to be curious and to have concerns about sexuality, relationships, and the human body.  The series speaks candidly about these issues.  In The Grooming of Alice, Alice takes a hand mirror into the bathroom and “meets” her genitals for the first time; she becomes the object of attraction of a lesbian peer in Alice on the Outside; and she ponders over the sexual content of Arabian Nights after her friend “borrows” the book from her mother’s bookshelf in The Agony of Alice.  The books’ blunt and straightforward discussion of sexuality is the primary reason that the series has been challenged in Connecticut, Maine, Minnesota, and several Virginia counties.

            Also controversial are books that promote – or even discuss – masturbation.  Robert Lipsyte’s 1977 novel One Fat Summer has been challenged and/or banned in many areas, with most complaints addressing the following passage:

About a year ago, in that daydream, I started using my invisibility to sneak into the girls’ locker room at school.  In the beginning I just sort of skulked around the locker room, watching them undress, but then I got bolder and stood very close, and ever so often I might touch someone.  In my daydreams, they never screamed or ran away.  I would get good warm feelings that started in my belly and flowed down.  Sometimes, if I was alone in the house, or in a locked bathroom, I would stroke myself until the warm feelings became a throbbing drumbeat that exploded (45).

 

            The subject of masturbation is one that has produced a great number of arguments, especially among the religious community.  Even if masturbation were not

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considered a sin among a fair-sized section of the American population, it is still regarded as extremely personal and is not often discussed in a candid manner apart from locker room banter.  As previously mentioned, even books aimed at sexual education are often criticized for addressing masturbation as a legitimate act that could concern young people.

            Many books that are attacked for being perverse are progressive texts that challenge the typical case prototype.  A very commonly held assumption about childhood and children is that they possess an innate innocence that should be protected at all costs.  Says educator Neil Postman, “Without secrets, there is no such thing as childhood” (qtd. in Levine, 18).  Furthermore, many adults worry that telling children too much about sex and sexuality will incite them to premature action, as stated in Judith Levine’s controversial book Harmful to Minors: “[T]he dark suspicion of a direct link between knowing and doing created from the start a conundrum that has endured for sex educators: how to inform youth about the facts of sex without inflaming their lust” (8-9).

            In an attempt to keep children informed (but just barely) about sex and reproduction, cartoons and “child-friendly” stories are concocted, most famously the “birds and bees.”  They present the bare minimum of information required to explain sex to children – but only sex as intended for reproduction – to satisfy their curiosity without giving them any ideas.  Says Levine, “These ‘birds and bees’ stories can misfire on account of children’s literal-mindedness.  In the 1980s, psychologist Anne Bernstein asked a four-year-old, ‘How would a lady get a baby to grow inside her?’  The child, who had studied the sex-ed picture books, began, ‘Um, first you get a duck’” (9).

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Another concern about sexuality, nudity in particular, in children’s literature is that it may be misconstrued as child pornography.  To present a child as a sexual creature is certainly a very risqué deed.  In regards to the naked body, there is a fine line between having simply an unclothed figure and having a sexual figure.  There is a fear that viewing and finding an aesthetic pleasure in a child’s nude form reveals a sort of pedophilic mind.  In his article “The Pedophilia of Everyday Life,” Richard D. Mohr asserts, “America’s hysteria over kiddie porn…is not simply the result of the country’s epicyclical prudishness about matters sexual.  Rather, it is the result of our general worries about purity, innocence, and identity – who we are” (29).

            Because mainstream American society fervently denies that it is acceptable for children to be sexual or even well-informed about sex, and because of our tendency to fear what we cannot easily explain – especially if said explanation must be given to a child – it is not terribly surprising that the censorship of books that discuss sex openly is rampant.  But that is not to imply that opposition to censorship is not also widespread.  In defending Phyllis Reynolds Naylor’s Alice series, the director of Monroe Public Libraries in Connecticut said, “You can’t judge a book by a couple of paragraphs taken out of context” (qtd. in Foerstel, 237).  The authors of such targeted books have also spoken out against the challenges.  Says Leslea Newman, author of Heather Has Two Mommies,

I don’t know that one can say that children who read Heather Has Two Mommies are reading about homosexuality.  They’re reading about a    family with a child who has two moms.  It’s about a little girl who goes on a picnic with her moms and then goes to daycare and meets kids with all kinds of families.  That’s really it.  If you’re going to say reading Heather is teaching a child about homosexuality – emphasis on the ‘sexuality’ – you would have to say reading a book about a mom and a dad is teaching a child about heterosexuality – emphasis on the ‘sexuality.’…In any case, I

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don’t think a book is powerful enough to determine one’s sexuality.  I always cite the fact that I read thousands of books about heterosexual people and their families when I was growing up, and none of that changed my sexuality (qtd. in Foerstel, 163).

 

            In an ideal society, there would be no censorship, but instead children would be taught to make educated decisions about what they accept or reject.  They would not be taught what to think but rather how to think.  Unfortunately, America is far from an ideal society.  But even as censorship abounds, multitudes of voices are rising against intellectual oppression.  There can be no doubt that the struggles will continue, but until and when the culture becomes more open and accepting of informing children of the truth about sex and sexuality, there will be countless children’s books ready to take on the task in a candid and straightforward manner.

           

 

 

 

 

 

 

 

 

 

 

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Works Cited

 

 

Becker, Beverley C. and Susan M. Stan.  Hit List for Children 2.  Chicago: American             Library Association, 2002.

 

Blume, Judy.  Are You There God?  It’s Me, Margaret.  New York: Atheneum Books, 1970.

 

Foerstel, Herbert N.  Banned in the USA.  Connecticut: Greenwood Press, 2002.

 

Harris, Robie H.  It’s Perfectly Normal.  Massachusetts: Candlewick Press, 1994.

 

Levine, Judith.  Harmful to Minors.  Minneapolis: University of Minnesota Press, 2002.

 

Lipsyte, Robert.  One Fat Summer.  New York: Harper and Row Publishers, 1977.

 

Mohr, Richard D.  “The Pedophilia of Everyday Life.”  Curiouser.  Ed. Steven Bruhm              and Natasha Hurley.  Minnesota: University of Minnesota Press, 2004.  17-30.

 

Naylor, Phyllis Reynolds.  Alice in Lace.  New York: Atheneum Books, 1996.

 

Naylor, Phyllis Reynolds.  The Grooming of Alice.  New York: Atheneum Books, 2000.

 

Naylor, Phyllis Reynolds.  Alice on the Outside.  New York: Atheneum Books, 1999.

 

Newman, Leslea.  Heather Has Two Mommies.  Boston: Alyson Publications, 1989.

 

Sendak, Maurice.  In the Night Kitchen.  United States: Harper and Row Publishers, 1970.

 

Willhoite, Michael.  Daddy’s Roommate.  Los Angeles: Alyson Publications, 1990.