ENGL 201World Literature (Summer 2004)

Session I

 

Updated 17 May 2004

 

 

Instructor: Dr. Shawn Smith
Office: Grainger G06
Phone: 395-2797
E-Mail:

ssmith@longwood.edu  

(This is the best way to contact me.)

Web page:

http://www.longwood.edu/staff/ssmith  

Consult this page for a version of this syllabus that contains links to study and research resources. See my handouts for suggestions on writing about literature.

Office hours: TWTh 10-11
Class meets:

MTWTh from 11-1:50 in Grainger G16.

 

 

COURSE DESCRIPTION AND OBJECTIVES

This course is a study of selected movements and traditions (exclusive of United States and British literature) by major world writers. The thematic focus is human suffering, and its relationship to love, heroism, religion, and knowledge.

This course satisfies General Education Goal 3:  "An understanding of our cultural heritage as revealed in literature, its movements and traditions, through reading, understanding, analyzing, and writing about the major works that have shaped our thinking and provide a record of human experience."  Upon completion of this course, students will :  (1) Understand major movements, themes, and values in one or more cultures as revealed in literature, (2) Analyze literary texts as reflections of cultural movements, themes, and values, and (3) Develop and defend interpretations of literary texts through written discourse.

 

TEXTS (available at the Longwood University Bookstore)

Please make sure you use these editions and translations.

 

INTERNET RESOURCES

Keep in mind that the Internet is an extremely poor source for scholarly information on literary works.  The resources below will provide you with basic information on literary analysis, classical mythology, and world literature, but you should not think of these resources (or any others) as substitutes for your own active engagement with the works on the syllabus.  

 

COURSE REQUIREMENTS

 

POLICY MATTERS

This course requires a substantial amount of reading, most of it in verse. The material we will cover also requires a different kind of reading than you may be accustomed to. Unlike newspaper and magazine articles, or the textbooks you use in social science or business classes, poetry and other works of literature need to be read in a careful, reflective, and active manner. As you plan your study schedule, leave extra time for contemplation and note taking. Keep in mind that college students are generally expected to spend 2-3 hours preparing for each hour of classroom instruction. On exams, you should be prepared to identify and comment on important characters (you should also be able to spell their names), themes, episodes, complications, and conflicts in the works we read. One of the best ways to prepare yourself for class is to keep a reading journal in which you record notes on characters, outlines of plots, and your own responses to these works. You may also find it useful to keep a comparative list of Greek and Roman deities with notes on the numerous variants on their names (e.g., Aphrodite = Venus, Cytherea). Feel free to visit me in my office at any time during the semester if you are having difficulty with the readings, lectures, or discussions.

 

Please arrive on time, and be prepared to listen, think, and contribute. Please turn off wireless phones, pagers, headphones, and other electronic devices that might disrupt class. Please treat other students and your instructor in a civil and respectful manner. Note that classroom disruption is a violation of Longwood University's honor code.

 

Please keep electronic versions of all work you submit for this class until after you have received your final grade.  In case of inclement weather, continue to read the daily assignments, continue to submit reading responses, and check this web page for announcements.  

 

The Longwood University attendance policy in the 2003-2004 Undergraduate Catalog will be the attendance policy for this course. You will receive an F on work missed because of unexcused absences. Your grade will be lowered by one letter grade if you miss 10 percent of the scheduled class meeting times (i.e., 1 and a half classes during the summer session) for unexcused absences. You will receive an F if you miss a total (excused and unexcused) of 25 percent of the scheduled class meeting times (i.e., 3 classes). If you are absent, it is your responsibility to obtain notes from a classmate (as well as announcements about syllabus changes or other matters). Exams can be made up only under the most grave circumstances, and with documentation from an MD or a Longwood University official. If you foresee a conflict, I expect you to discuss it with me beforehand. Written assignments handed in late will lose one letter grade for each class day late. Plagiarism, cheating, and other forms of intellectual dishonesty will result in an F for the course and referral to the Longwood University Judicial system. For details on Longwood University's honor code and judicial system, direct your web browser to: http://www.longwood.edu/judicial.

 

Note: the syllabus may be changed at any time if necessary, though I'll try to give you as much advance notice as possible. Please check the web page regularly for updates.

 

The Arabic numerals following the titles of the works listed below refer to the major divisions of the work in question--for Homer and Vergil, "books"; for Dante, "cantos"; and for Petrarch, individual poems.

 

CALENDAR

 

17 May    Course Introduction.  Homer, Iliad 1 (group reading and discussion).  [If you read this online syllabus before the first class, please come to class having read Iliad 1.]
18 May Homer, Iliad 1 (continued), 2 (lines 1-583 only), 3-5.
19 May Homer, Iliad 6, 8 (lines 1-90, 566-654 only), 9, 16, 18-19.
20 May Homer, Iliad 20 (lines 185-365), 22, 24.
   
24 May:    Vergil, Aeneid 1-2, 4.
25 May Vergil, Aeneid 6-8.
26 May Vergil, Aeneid 10-12.
27 May MIDTERM EXAM.
   
31 May Memorial Day--No Class.
1 June Dante, Inferno 1-10.
2 June Dante, Inferno 11-22.
3 June Dante, Inferno 23-34.
   
7 June Petrarch, "Ascent of Mount Ventoux," "Letter to Posterity," selections from the Canzoniere; Lazarillo de Tormes.
8 June Voltaire, Candide.
9 June Mann, Death in Venice.
10 June FINAL EXAM.